Author: EM
-
EMULSIVE interview #134: I am Monika and this is why I shoot film
Finally! That’s all I’m going to say about today’s interview.
-
Photography: Tear it down…tear it all down – ILFORD HP5 PLUS (120)
Tear it down…tear it all down ILFORD HP5 PLUS shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push Processed 1+1/3 stops Read the ILFORD HP5 PLUS review.
-
Photography: Eye eye – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Eye eye Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad E16 extension tube (0.7 stop compensation)
-
Photography: Tivolina – Shot on Fomapan R 100 at EI 100 (120 format)
Tivolina Shot on Fomapan R100 at EI 100 Black and white negative film in 120 format shot as 6×6
-
EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film
After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview. Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.
-
Photography: Dragon’s eye – Kodak Ultracolor 100 (35mm)
Dragon’s eye Shot on Kodak Ultracolor 100 at EI 100 Color negative film in 35mm format
-
Photography: Split #07 – Shot on Fomapan R 100 at EI 100 (120 format)
Split #07 Shot on Fomapan R 100 at EI 100Black and white negative film in 120 format shot as 6×6 SplitShot on Fomapan R100 at EI 100.Black and white negative film in 120 format shot as 6×6.
-
Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
-
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 5: Focal plane shutter tuning and rangefinder
Welcome to part five – the penultimate part – of the AEROgraphic project. In this article you will finally be finishing your build.
-
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
-
Photography: Built to last – Fuji 500T 8573 (35mm)
Built to last Fuji 500T 8573 shot at EI 500 Color motion picture film in 35mm format
-
Photography: One more coat – Kodak Ektar 100 (35mm)
One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops
-
Photography: Nuthin’ but bokeh – Lomography Lomochrome Purple XR 100-400 (35mm)
Nuthin’ but bokeh Lomography Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format
-
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
-
EMULSIVE x Kodak Alaris Community Interview: results time
Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results! Thank you’s and introductions First of all, a massive
-
Photography: 門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)
門 / mén / door #02 Shot on Fuji Provia 100F (RDP
-
EMULSIVE interview #131: I am Jessica Hobbs and this is why I shoot film
This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs.
-
Photography: On edge – Ilford Pan F+ (120)
On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
-
Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)
Bougainvillea bonsai Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.