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Author: EMULSIVE

Wispy – Rollei Infrared 400 (120)

Wispy Rollei Infrared 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Spattered – Shot on Fuji Velvia 50 RVP50 (120)

Spattered Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Outside world – Kodak TMAX 100 (120)

Outside world Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Preston Young and this is why I shoot film

Welcome back for another interview! Today we’re sitting down with Preston Young, AKA @Wakefanatic about his feelings on shooting film, its legacy for his family and what gets him clicking the shutter when he’s out and about. Preston, it’s over to you…     Hi Preston, what’s this picture, then? PY: The picture is from the birth of my second child. This is the first picture I took that really moved me emotionally and made me want to take pictures. It not only captured my newborn, but it also a very strong memory. …and I did it one handed!    ...

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Regret – Kodak TMAX 100 (120)

Regret Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Tree-clipse – Lomo Redscale 100 (120)

Tree-clipse Lomography Redscale 100 shot at EI 100 Color redscale film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Note to self: your street photography sucks

A quick note to readers I’m not talking to you. I wrote this (de)motivational diatribe to myself a year or so ago whilst in a bit of a photographic funk. It may seem a little exaggerated in its tone but this is something I do from time to time to try and help me look at my own perspectives objectively and in the cold light of an unfriendly eye. Whilst I can’t tell you if it worked or not, I can say that it made me realise my journey as a photographer is just that, my own. It belongs to no-one...

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Rusted – Fuji Acros 100 (120)

Rusted Fuji Acros 100 shot at ISO1600 Black and white negative film in 120 format Push processed 4 stops Like this photo? Digital and physical media are available on request. Please share this image if you like it, or leave a message in the...

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I am Craig Pindell and this is why I shoot film

We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher. Despite offering us an 8×10 selfie via Twitter (a promise he has yet to keep!), we think Craig has some pretty interesting work and thoughts to share with the rest of the film photography community. So, it’s with great pleasure that I invite you all to jump in and see what he has to say.   Hi Craig, so what’s this picture, then? CP: This photo is Image 1472 – Inside The Kiva, April 2006. This was technically challenging...

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Red planet – Lomo Redscale XR 50-200 (120)

Red planet Shot on Lomography Redscale XR 50-200 at EI 100 Color redscale film shot in 120 format as 6×12 Holga 120 Pan / Schneider Super Angulon 90mm f/8 MC       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Pensive – Fuji Reala 500D 8592 (35mm)

Pensive Fuji Reala 500D (8592) shot at EI 500 Color motion picture film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Refocus – Kodak EKTACHROME 100D 5285 (35mm)

2015-08-15 – Refocus Kodak EKTACHROME 100D (5285) shot at EI 100 Color reversal motion picture film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Grate pinks – Lucky Color Film Super 200 (35mm)

2015-08-15 – Grate pinks Lucky Color Film Super 200 shot at EI 200 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Panda party! – Lomochrome Purple XR100-400 (120)

2015-08-15 – Panda party! Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Emerald canopy – Shot on Fuji Velvia 50 RVP50 (35mm)

2015-08-14 – Emerald canopy Fuji Velvia 50 (RVP50) shot at EI 50 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Enchantment – LomoChrome Purple XR 100-400 (120)

2015-08-14 – Enchantment LomoChrome Purple XR 100-400 shot at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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