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Author: EMULSIVE

Standing guard – Fuji Pro 160NS

2016-06-08 – Standing guard Fuji Pro 160NS shot at EI 400. Color negative film in 120 format shot as 6×6. Push processed two stops.   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Morgann Gicquel and this is why I shoot film

We managed to grab some time with today’s interviewee as he was making preparations for this year’s Canner Film Festival. It’s time to hear from (film) film director Morgann Gicquel. Over to you, Morgann.     Hi Morgann, what’s this picture, then? GM: This sums up what photography is for me. The perfect balance between story and frame. I could go on for hours on the look the guy in the jeep is giving, it’s soft and yet severe, it’s innocent and concerned, but most of all he is looking right at us. Despite all the other things that...

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Behind the blue door – Fuji Pro 160NPC (120)

2016-06-07 – Behind the blue door Fuji Pro 160~NPC shot at EI100 Color negative film in 120 format shot as 6×6 Bleach bypass C-41 development Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Red or Dead – Kodak Vision3 250D 5207 (35mm)

2016-06-06 – Red or Dead Kodak Vision3 250D 5207 shot at EI 25 Color motion picture film in 35mm format Shot as redscale Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Rory Power and this is why I shoot film

Today we’re sitting down with 20-year old Rory Power. It’s safe to say that he’s been around a bit but I’ll let him tell you that himself. He’s been shooting film since he was 16 and for the moment is still firmly entrenched 35mm film. I’m sure you’ll all have a hand in turning him to the dark side. Over to you, Rory.     Hi Rory, what’s this picture, then? This is home, well it used to be, Hong Kong. I had spent the day on a junk (what we call a motorised yacht, which people usually hire...

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Festa della Repubblica – Kodak EKTACHROME 100VS – E100VS (35mm)

Festa della Repubblica Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross Processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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One year of EMULSIVE – a retrospective

Today is EMULSIVE‘s first birthday and what a year it’s been! Grab a drink and sit down for a bit of navel gazing, some back-patting and a taste of what’s to come. Ready? I think it makes sense to start with a little background. In April 2015 I scratched an itch I’d had for some time. It was the inclination that I should start sharing some of my images online in a more considered and purposeful way. I wasn’t really plugged in to any online photographic communities at the time, and felt that I needed to branch outside my small network...

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Don’t leave me hanging – Ilford FP4+ (120)

2016-05-27 – Don’t leave me hanging Ilford FP4+ shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 2+2/3 Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Joffrey Carpentier and this is why I shoot film

I’ve been looking forward to this one! Welcome to the hectic world of Joffrey Carpentier, Frenchman, Photographer, Psychiatrist and fleet-blooded traveller based in the east of France. There’s been a lot of back and forth to bring you Joffrey’s words and images; and you should be seeing a little bit more over the coming weeks! Over to you, Joffrey!     Hi Joffrey, what’s this picture, then? JC: Shibuya crossing, Tokyo 2014. I had a very special feeling watching this place. I felt the whole world within a view; like a dance. Cars, red lights, people…many people. Photography holds...

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小吃 – Kodak Tri-X 400 (35mm)

2016-05-27 – 小吃 Kodak Tri-X 400 shot at EI 1600 Black and white film in 35mm format Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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