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Author: EMULSIVE

Porthole – Rollei RPX 100 (120)

2015-08-13 – Porthole Rollei RPX100 shot at EI 100 black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Inflorescence – Kodak AEROCHROME III 1443 (120)

2015-08-12 – Inflorescence Kodak AEROCHROME III 1443 shot at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Overexposed one stop with #21 orange filter       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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The photographer’s daypack – part 4: long(er) haul medium format

Hello again! We’re here with part four of our photographic daypack series and this time, we’re getting ready for a longer medium format trip with more gear and a much heavier pack. Before we go any further, take a minute to familiarize yourself with the basic daypack plus the additional items discussed in part two, which covered the medium format street shooter. Here’s the combined list: A pen/pencil and small notebook. A fine tip marker. A small lens/eyeglass cloth. Some spare film (fast, slow, color, black and white). A spare battery. A light meter, or alternative. A rubber band and some...

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Sakura – Kodak EKTACHROME 100VS (E100VS) – 120

Sakura Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Savaged – Kodak Portra 400 (120)

2015-08-11 – Savaged Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×4.5     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Bill McCarroll and this is why I shoot film

Today we managed to wedge ourselves into the hectic life of Bill McCarroll; finance professional by day, billionaire vigilante crime fighter by night photographer and writer by night (and weekends). You may be familiar with Bill as the founder of the Google+ Leica Camera Community or as @BillMcCarroll on Twitter. Working mostly in black and white,  Bill’s film cameras of choice are his Leica MP, M2 and Rolleiflex 2.8F. Over to you, Bill.     Hi Bill, what’s this picture, then? BM: This is a quick snap with my Olympus XA. It’s one of my favorites and testimony that you don’t need the most...

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Calm – Kodak Portra 400 (120)

Calm Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Lock-xidized – Fuji Press 800 (35mm)

2015-08-10 – Lock-xidized Fuji Press 800 shot at EI800 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Knotty post – Kodak 250D 5207 (35mm)

2015-08-09 – Knotty post Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film Like this photo? Digital and physical media are available on request. Please share this image if you like it, or leave a message in the...

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UN-THAI-TLED – Kodak 250D 5207 (35mm)

UN-THAI-TLED Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Sakura wide – Kodak 250D 5207 (35mm)

Sakura wide Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Redbrick – Kodak 250D 5207 (35mm)

Redbrick Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Choo choo – Kodak 250D 5207 (35mm)

2015-08-07 – Choo choo Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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By a thread – Kodak 250D 5207 (35mm)

2015-08-07 – By a thread Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Basket case – Kodak 250D 5207 (35mm)

2015-08-06 – Basket case Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Lee Fennings and this is why I shoot film

This week we’re sitting down with Lee Fennings, a UK-based digital shooter, now just starting to shoot 35mm with his beautiful reconditioned Olympus Trip 35. Lee’s a rather strange beast as far as digital street photographers go; his post-production workflow is rather non-existent, as he tries to do as much as he can in order to get the shot right in-camera…a man after our own heart. Let’s jump in.     Hi Lee, what’s this picture, then? LF: This shot was taken in St James’s Park, London (March 2015), not long after I’d reignited my interest in film photography. I had recently...

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EMS use only – Kodak 250D 5207 (35mm)

2015-08-06 – EMS use only Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Stoopid dawg – Kodak 250D 5207 (35mm)

2015-08-05 – Stoopid dawg Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Film review – Kodak VISION3 250D 35mm motion picture film (5207)

The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo…oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common? The were all shot on good old motion picture film. In fact, they were all shot (in total, or in part), on Kodak’s VISION3 250D (5207) motion picture film. “Hang on”, I hear you say, “This is a film photography website. What does motion picture film have anything to do with all this?” Read on to find out 🙂   KODAK VISION3 Films continue to raise the...

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