Author: EM
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Photography: Tinkledbell – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Fujifilm NEOPAN 100 ACROS II shot at EI 400Black and white negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 10:00 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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A new brand and very limited edition 26mm Leica M-mount snapshot lens from 35mmc and Skyllaney Optomechanics
Say hello to the Omnar CN26-6, a brand new 26mm f/6, fixed aperture, rangefinder coupled, wide-angle, snapshot lens for Leica M-mount cameras from Hamish Gill at 35mmc and Chris from Skyllaney Optomechanics, with a little help from CameraKote. It has a very, very limited run (only 25 copies will ever be produced), and as you might expect from…
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Discontinuation notice: Fujichrome Velvia 50 slide film in 4×5″ and 8×10″, and 120 format Fujicolor Pro 160NS
Fujifilm Japan has just announced the global discontinuation of Fujichrome Velvia 50 slide film in 4×5″ and 8×10″ large formats, and 120 format Fujicolor 160NS Professional colour negative film. Coming hot on the heels of the July 2021 ban of the sale and processing of Fujichrome Velvia 100 in the United States, the notice is effective…
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Photography: Swap shop – Shot on Silberra U400 at EI 400 (35mm Format)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Be with you in just a moment – Shot on Kodak Ektar 100 at EI 100 (120 Format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
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Photography: By a nose – Rollei RPX 400 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW)
I really am struggling to introduce today’s interviewee, someone whom I was introduced to earlier this year by Ellen Rogers. In between asking Lucy for an interview back in April and today, I’ve come to know and appreciate her photography (both what you see here and the flip side of her photographic coin). I’m struggling…
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Photography: Big night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Seeing red: CineStill REDRUM, a new limited-run medium format redscale film made using 800T
No more neon glows and gas station signs for you, not if you plan on shooting this new limited edition redscale film from the folks over at Cinestill Film in the US. Made from their signature Cinestill 800T film (Kodak VISION3 500T motion picture film with the remjet pre-removed), Cinestill’s new medium format REDRUM 120…
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EMULSIVE Secret Santa 2021: registration open until October 31st
Welcome to the 7th annual EMULSIVE Santa film and traditional photography gift exchange! A huge thank you to the nearly 800 players in over 50…
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Photography: Diffuse purpose – Shot on Kodak T-MAX 100 at EI 100 (120 Format)
Shot on Kodak T-MAX 100 at EI 100Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:45 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Got you covered – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film in 120 format shot as 6×6Holga 120GN + 60mm f/8 lens Development notesKodak HC-110 1+47 (E): 20°C/68°F, 08:15 (N+1)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: On the up, up, up and up – Shot on Kodak T-MAX 400 at EI 400 (120 Format)
Shot on Kodak T-MAX 400 at EI 400Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:15 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Into darkness – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film in 120 format shot as 6×6Holga 120GN + 60mm f/8 lens Development notesKodak HC-110 1+47 (E): 20°C/68°F, 08:15 (N+1)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Grab yourself a pop-up darkroom + a darkroom starter kit and Xmas goodies from ILFORD Photo
Announced at The Photography Show 2020 just moments ago, ILFORD Photo (with a little help from their friends at Paterson Photographic), is bringing a new pop-up darkroom and darkroom kit, both penciled in for release starting in early Q4 2021. And, for all of you waiting for EMULSIVE Secret Santa, there’s also a little bonus…
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Photography: Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
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Photography: I find this uncomfortable – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Splish splash – Shot on Fujifilm NEOPAN 100 ACROS II
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Hasselblad Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: Laundry day – Shot on Fujifilm NEOPAN 100 SS at EI 200 (35mm Format)
Shot on Fujifilm NEOPAN 100 SSBlack and white negative film in 35mm formatNikkormat FT3 + Nikon NIKKOR 50mm f/1.4 AI-S Development notesKodak HC-110 1+47 (E), 20°C/68°F, 06:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse