Select Page

Author: EMULSIVE

Split #04 – Fuji Provia 100F – RDP IIII (35mm)

Split #04 Shot on Fuji Provia 100F (RDP IIII) at EI 100 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Split #03 – Fuji Provia 100F – RDP IIII (35mm)

Split #03 Shot on Fuji Provia 100F (RDP IIII) at EI 100 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

I am Tom Rayfield and this is why I shoot film

If you’re a regular reader, you’ll be familiar with today’s interviewee’s Finding Film series here on EMULSIVE. It’s been great watching Tom’s journey through the year so far and even though we’re already six parts in at the time of writing, there’s still much, much more to come. I guess you can consider this a bit of a break for Tom and a chance to get to know the man behind all the experimentation. Over to you, Tom.     Hi Tom, what’s this picture, then? TR: This is a shot from Sea Palling in Norfolk, a beach I...

Read More

Split #02 – Fuji Provia 100F – RDP IIII (35mm)

Split #02 Shot on Fuji Provia 100F (RDP IIII) at EI 100 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Announcing the JCH StreetPan 400 120 format pre-order

You read that right. JCH Streetpan 400 is now available for pre-order in 120 format for expected delivery in September 2017. If you’re still here, read on: As you’ll hopefully be aware, JCH Streetpan 400 in 35mm format was announced by Mr Japan Camera Hunter Bellamy Hunt back in March 2016 (on his birthday no less), and has quickly become a staple of film shooters the world over. The film is incredibly flexible, pushes very well and even boasts sensitivity into the infrared range, as my guest review on JCH demonstrates. So, it was only a matter of time before Bellamy bowed...

Read More

Split #01 – Fuji Provia 100F – RDP IIII (35mm)

Split #01 Shot on Fuji Provia 100F (RDP IIII) at EI 100 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Fluff monster – Bergger Pancro 400 (120)

Fluff monster Shot on Bergger Pancro 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1-stop       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Camera review: me and my Zenza Bronica S2A – by Michael Preinfalk

I’ll be talking today about the first medium format film camera I bought in 2016, a Zenza Bronica S2A. My first contact with photography was at age 11, when my mum gave me her Kodak Instamatic. On my 15th birthday my dad gave me a Fuji AX SLR camera. Later on, I shot digital most of the time with several compact cameras in the beginning, and later when I was at professional school I bought a used digital Pentax SLR with 35 and 50mm lenses. Here’s what’s covered in this article:   In 2015 I got the chance to...

Read More

#ChickenAF – Kodak EKTACHROME 100VS – E100VS (120)

#ChickenAF Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Paddy whacker – Kodak AEROCHROME III 1443 (120)

Paddy Whacker Kodak AEROCHROME III 1443 shot at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

I am Aislinn Chuahiock and this is why I shoot film

I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview. She refers to her work as “mundane”, I beg to differ. Aislinn, it’s over to you.     Hi Aislinn, what’s this picture, then? AC: This is one of my recent favorite shots of one of the most beautiful museums I’ve been to, the Muséum d’histoire Naturelle – Jardin des Plantes in Paris. I think if I can sum up what makes me click the shutter, it’s capturing any scene that I subconsciously wish I were a part of. The funny thing...

Read More

I made this – Fuji Velvia 100 – RVP100 (120)

I made this Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

The EMULSIVE x Intrepid Camera Co. Community Interview: Part 1 – Submit your questions

It’s time for the sixth in this series of EMULSIVE Community Interviews, and our first camera vendor, no less. I’m proud to announce the call for questions for the EMULSIVE x Intrepid Camera Community Interview. If you’re even a little bit plugged-in to what’s moving and shaking in analogue photography, you’d be hard pressed to have missed Intrepid Cameras’ arrival on the large format scene, as well as their subsequent total domination of the compact/light large format camera space. They’ve recently completed a successful Kickstarter for their brand new 8×10 camera and you will hopefully have caught up on a...

Read More

Rotation – Kodak AEROCHROME III 1443 (120)

Rotation Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

The best of #SummerFilmParty June 2017

Welcome to the best of #SummerFilmParty June 2017, as selected by the #SummerFilmParty panel. Thanks very much to the team for their help in both manning battle stations and putting together their shortlists for each of the five categories: #Landscape Nature or urban scenes, it’s up to you #Streetlife It’s up to you to include people and or architecture #Abstract / #FunkyAF No poultry unless absolutely necessary #Home Shooting indoors or gearing up for a Kitchen Battle, this is for you #Macro / #CloseUp Anything as close as your lens will allow   We had a little over 200 entries...

Read More

Lookout – Kodak EKTACHROME 100VS – E100VS – (120)

Lookout Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

I am Claudio Gomboli and this is why I shoot film

Rolling in for the second interview after my short break is Claudio Gomboli, Turinian currently ensconced in London, England. There’s plenty to read below, so I’ll keep this short and simply say Claudio, it’s over to you!     Hi Claudio, what’s this picture, then? CG: This is a special photo for me. It’s the last portrait photo I took of my mother, a couple of months ago, just a month before she passed away. I didn’t know then that this would have been the last portrait I could take of her, but I do remember that I thought...

Read More

Candlesticks – Shot on Fuji Provia 100F – RDP III (120)

Candlesticks Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

The Community Critique Project: #01 Robert J Davie’s STEIN collection

Welcome to the Community Critique Project: a new concept for providing peer-driven photographic critique through a platform of honest, open and measured discussion. In short, a photographic critiquing platform for the film photography community, by the film photography community. This first article provides an extended background of the concept, outline of the format and the results of the first critique. Let’s jump in.     Community critique: background The web has given us global connectivity with our peers but seem to have paid for it by losing the art of discussion. It’s no secret that the internet no longer...

Read More

BE&ER MOVIES – Kodak Portra 400VC (120)

BE&ER MOVIES Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

EMULSIVE in your inbox

Recent Tweets

Pin It on Pinterest

Get EMULSIVE updates to your inbox

Get EMULSIVE updates to your inbox

Join our daily and weekly newsletters to receive the latest from EMULISVE.

* indicates required
EMULSIVE News

You have successfully subscribed. Please check your email for our confirmation link.