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Author: EMULSIVE

Zip ties – Agfa CT Precisa 100 (35mm)

Zip ties Shot on Agfa CT Precisa 100 at EI 100 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Racked – Kodak Tri-X 400 (120)

Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Tones – Konica Infrared 750 (120)

Tones Shot on Konica Infrared 750 at EI 8 Black and white infrared film shot as 6×6 Red #25 filter     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Gimme that sh*t – Fuji Reala 100 (35mm)

Gimme that sh*t Shot on Fuji Reala 100 at EI 100 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Monika and this is why I shoot film

Finally! That’s all I’m going to say about today’s interview. Well, ok then, if I must. Pinhole, large format, medium format, 35mm…it seems the only thing we can’t get this amazing photographer and passionate stalwart of the film photography community to do is shoot color film. Monika, it’s over to you!     Hi Monika, what’s this picture, then? M: This is the photograph that turned me into a pinhole photographer; a Polaroid 54 of the Ballard Locks, taken with a 4×5 Lensless pinhole camera. I had bought the pinhole to try and get out of a photographic rut. After...

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永保安康 / yǒngbǎo ānkāng / Eternal peace and health – Fuji Superia X-TRA 400 (35mm)

永保安康 / yǒngbǎo ānkāng / Eternal peace and health Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Tear it down…tear it all down – Ilford HP5+ (120)

Tear it down…tear it all down Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push Processed 1+1/3 stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Eye eye – Kodak T-MAX 400 – TMY-2 (120)

Eye eye Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad E16 extension tube (0.7 stop compensation)     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Tivolina – Fomapan R100 (120)

Tivolina Shot on Fomapan R100 at EI 100 Black and white negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Lisa DeShantz Cook and this is why I shoot film

After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview. Well I say business as usual but Lisa DeShantz Cook’s photography is nothing of the sort. Settle in, this is lovely. Over to you, Lisa.   Hi Lisa, what’s this picture, then? LDC: It’s an old farmhouse I’ve been watching decay my entire life. When I was a kid, we used to climb in the first floor windows and explore. First the vines and growth started their takeover, then the first floor collapsed into the basement, and then...

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Dragon’s eye – Kodak Ultracolor 100 (35mm)

Dragon’s eye Shot on Kodak Ultracolor 100 at EI 100 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Split – Fomapan R 100 (120)

Split Shot on Fomapan R 100 at EI 100 Black and white negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 5: Focal plane shutter tuning and rangefinder

Welcome to part five – the penultimate part – of the AEROgraphic project. In this article you will finally be finishing your build. Rest easy, as part six is purely to show off some of the photographs I’ve taken with my own. As with the preceding parts of this series, I strongly recommend you visit what’s come before in order to bring yourself up to speed: The AEROgraphic project part 1 – introduction and required materials The AEROgraphic project part 2 – disassembly and strip down The AEROgraphic project part 3 – preparing and finishing the body The AEROgraphic...

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Road hogs – Agfa Precisa CT 100 (35mm)

Road hogs Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross processed     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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無 / Wú / Nothing – ADOX Silvermax 100 (35mm)

無 / Wú / Nothing ADOX Silvermax 100 shot at EI 200 Black and white negative film in 35mm format Push processed one stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am EMULSIVE and this is why I shoot film

Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together. So much so in fact, that I enlisted the help of a few friends in the film photography community to help out with posing some additional questions. Thank you Sandeep, Cody and Ben. Anyway, now you’re here it’s time to hand over for a mildly special extended interview with me…erm, EMULSIVE.     Hi EM, what’s this picture, then? EM: I’ve mentioned this picture a few times here, on...

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Built to last – Fuji 500T 8573 (35mm)

Built to last Fuji 500T 8573 shot at EI 500 Color motion picture film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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One more coat – Kodak Ektar 100 (35mm)

One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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