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Author: EMULSIVE

Ginger snaps – Lucky New SHD 100 (35mm)

Ginger snaps Lucky New SHD 100 shot at EI 50 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Derased – Kodak EKTACHROME 100VS – E100VS (120)

Derased Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Rebecca Joyce and this is why I shoot film

Today’s interviewee is a real treat. A mixed media labrat who, although having moved on from minilabs, has kept a love of film and an eye for those details that life normally causes us to pass on by. Ladies and gentlemen, it’s Rebecca Joyce!     Hi Rebecca, what’s this picture, then? RJ: When I first saw Imogen Cunningham’s photograph The Unmade Bed, I was struck by how powerful the simplest of images can be. I saw it for the first time when I was still learning photography and finding my own voice. Seeing that it was possible to...

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Bridge end – Maco Eagle AQS 400 (35mm)

Bridge end Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI 400 Black and white negative film in 135 format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Hand-stitched quality – Rollei Retro 80S (120)

Hand-stitched quality Shot on Rollei Retro 80S at EI 80 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Three cats #01 + #02 – Rollei Vario Chrome (35mm)

Three cats #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox. Three cats 01Shot on Rollei Vario Chrome at EI 400.Color reversal film in 35mm format.Push processed one stop.Over exposed 1-stop. Three cats 02Shot on Rollei Vario Chrome at EI 400.Color reversal film in 35mm format.Push processed one stop.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography...

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Dried veins #01 + #02 – Rollei Vario Chrome (35mm)

Dried veins #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox. Dried veins #01Shot on Rollei Vario Chrome at EI 400.Color reversal film in 35mm format.Push processed one stop.Over exposed 1-stop. Dried veins #02Shot on Rollei Vario Chrome at EI 400.Color reversal film in 35mm format.Push processed one stop.   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You...

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I am Ashley B Williams and this is why I shoot film

There’s a sense of good will and camaraderie in the film photography community that’s hard to beat. In fact, it’s often hard for me to put it into words…well, a few words at least. I’m not suggesting that today’s interviewee could talk the hind legs off a donkey but he certainly does a better job than me. Over to your, Ashley!       Hi Ashley, what’s this picture, then? ABW: Now, this picture you will recognise as my twitter AVI, It was from my very first black and white film. It was also my first proper development having...

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The stars above – Kodak Portra 400 (120)

The stars above Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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The best of #SummerFilmParty July 2017

Welcome to the best of #SummerFilmParty July 2017, as selected by the #SummerFilmParty panel. Thanks very much to the team for their help here and over on the Twitter account. As ever, it’s very much appreciated. Here’s a reminder of the five categories we’re working to for @SummerFilmParty 2017: #Landscape Nature or urban scenes, it’s up to you #Streetlife It’s up to you to include people and or architecture #Abstract / #FunkyAF No poultry unless absolutely necessary #Home Shooting indoors or gearing up for a Kitchen Battle, this is for you #Macro / #CloseUp Anything as close as your lens...

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Salarymen – Kodak Portra 400 (120)

Salarymen Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Tinkle time – Kodak Portra 400 (120)

Tinkle time Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Triplets #01 + #02 – Rollei Vario Chrome (35mm)

Triplets #01 + #02 Shot on Rollei Vario Chrome – EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Click the images to view lightbox.   Triplets 01 Shot on Rollei Vario Chrome at EI 400. Color reversal (slide) film in 35mm format Triplets 02 Shot on Rollei Vario Chrome at EI 200.Color reversal (slide) film in 35mm format   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and...

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Film review: Bergger Pancro 400 35mm Part 3 – EI 1600 (bracketed +/- 1 stop)

Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love. In case you’re new to the series, you can read part one, which covers Pancro 400 in 35mm shot at EI 400 and bracketed +/- 1 stop, and part two, which describes the film when shot at EI 800 (again bracketed +/- 1 stop). My aim with this series is to provide an exhaustive reference of this film shot and developed at EI 400, 800 and 1600...

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Tie a ribbon #01 + #02 – Rollei Vario Chrome (35mm)

Tie a ribbon #01 + #02 Shot on Rollei Vario Chrome – EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Click the images to view lightbox.   Tie a ribbon #01Shot on Rollei Vario Chrome at EI 400.Color reversal (slide) film in 35mm format Tie a ribbon #02Shot on Rollei Vario Chrome at EI 200.Color reversal (slide) film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing...

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I am Isabel Curdes and this is why I shoot film

I’ve been looking forward to this for a while and in fact…that’s all I’m going to say about it. Over to you, Isabel!       Hi Isabel, what’s this picture, then? IC: This is one of the very few pictures I ever entered into a competition (Ilford “Just add…”) and it will also be the last as I don’t think art can be “judged” like that. Still I am really proud of this as Ilford now uses it on their new homepage and so I can support a great company that still believes in film. But apart from...

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Three steel #01 + #02 – Rollei Vario Chrome (35mm)

Three steel #01 + #02 Shot on Rollei Vario Chrome – EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test Click the images to view lightbox.   Three steel 01Shot on Rollei Vario Chrome at EI 400.Color reversal (slide) film in 35mm format Three steel 01Shot on Rollei Vario Chrome at EI 200Color reversal (slide) film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work...

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#SummerFilmParty June 2017 Winner Announcement

Welcome to the winner announcement for the first of the three #SummerFilmParty events of 2017. Voting for your favourite submission of the month started on July 17th and closed on the 23rd. Over the course of those seven days we received a total of 109 votes, nearly half of which went to the entry you all voted into first place. More on that a bit later because right now, it’s time to count down from joint third place.     3rd place: joint award – Zheng Xu and Cristian Gill Coming in with 8% of the votes respectively are Zheng Xu...

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Fallen bougainvillea #01 + #02 – Rollei Vario Chrome (35mm)

Fallen bougainvillea #01 + #02 Shot on Rollei Vario Chrome at EI 400 vs EI 200 Color reversal (slide) film in 35mm format Exposure bracketing test   Fallen bougainvillea #01Shot on Rollei Vario Chrome at EI 400.Color reversal (slide) film in 35mm format. Fallen bougainvillea #02Shot on Rollei Vario Chrome at EI 400.Color reversal (slide) film in 35mm format. Note: click either image to open a lightbox     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your...

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