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Author: EMULSIVE

Browsing – CineStill 800T (120)

Browsing Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Bag review: The new Billingham Hadley One part one – first impressions

A few weeks ago, the lovely folks over at Billingham got in touch to ask if I wanted to review one of their new bags, the Hadley One, the newest – and most advanced, in my opinionmember of the Hadley family, which was first introduced nearly 30 years ago in 1988. The bag, plus a few extras arrived last week and if you follow @EMULSIVEfilm on Twitter, you may have see the multi-tweet unboxing. Just I n case you missed it, I’ve wrapped it all up in this Twitter Moment. In this, part one of an extended review, I’ll be...

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I choose you – CineStill 800T (120)

I choose you Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Marta Beltowska and this is why I shoot film

Today we’re grabbing some time with Marta Beltowska, currently based in London, UK. She’s got some amazing work to share and there’s much more on the way, thanks to a bit of light prodding from yours truly.  Enough cryptic lead-ins to future articles, it’s over to you, Marta,     Hi Marta, what’s this picture, then? MB: This image is from a personal series I did in 2013, simplifying family history and events brought on by my father’s ill health through staged photographs. It was shot on slide film (Fuji Provia 100F), and it was the first proper project I had done on medium format, or my first mature project on film.  I had shot on film before that, but with this series, film became cemented in me like a proper part of my practice. When I compare it with other projects I’ve done on film, this stands out as the most thought-through. Before starting this series I had just had my “intro to medium format” at university, and was amazed at slide film. It was like a tiny color photograph as soon as you developed the film!     Ok, so who are you? (the short version, please) MB: I’m a photographer currently based in London, England. I work to create, so my day job is as a technician at an arts university.  This is really hard to answer, because I could easily condense myself...

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Sex shop – CineStill 800T (120)

Sex shop Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Close attention – CineStill 800T (120)

Close attention Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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麻雀 / Mah Jhong / má què – CineStill 800T (120)

麻雀 / Mah Jhong / má què Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 6: conclusion and example images

Welcome to the sixth and final part of the AEROgraphic project series. If you’ve been following along with your own build, by now you will have a fully functioning and utterly gorgeous naked Graflex Pacemaker Speed Graphic (or Crown Graphic, if that’s your poison). You’ll also hopefully have mounted a Kodak Aero Ektar 178/2.5 lens to it and will no doubt have been out and about to run it through its paces. If so, this article isn’t really for you. In case you’ve come here for the first time, here’s the rest of the series so far: The AEROgraphic project...

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TMAX Party: Best of March 2017

Welcome to the best of #TMAXParty March 2017 and apologies to everyone who has been waiting patiently for this shortlisting to be published. As established by #FP4Party 2016, below you will find three short listed entries for each day of #TMAXParty’s post week. Entries were pulled from the 191 posted on Twitter between March 20th and 26th using the #TMAXParty hashtag. We’ve provided a voting form at the foot of this page for you to cast your votes. Voting is open until Sunday April 23rd, at which point your votes will be collated and a winner announced. Here we go.     DAY ONE –...

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My return to film: Ric Donato

When I talk or correspond with others about photography I do my best not to talk gear specs, instead directing discussion towards techniques with gear, usage, and other photographic concepts. Talking about which camera is better, whistles and bells is a fool’s errand. Why, digital cameras change change and update faster than some people buy clothes. It’s not the camera… …it is the photographer: their choices of lens, light, and technique. On the digital side, after a slight touch of post production images will appear the same, whether one uses a $5,000 camera or a $1,000 camera. With analog, camera choice is...

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Light and shade – JCH Streetpan 400 (35mm)

Light and shade Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 35mm format R72 720nm filter Read the JCH Streetpan 400 Infrared review here Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Jack Allan and this is why I shoot film

I’m pleased to be able to bring you the work and words of Jack Allan. There’s little to explain here up top, as Jack does a fantastic job of it below. Be glad we don’t yet have smell-o-vision… Over to you, Jack,     Hi Jack, what’s this picture, then? JA: This picture of from my View from the Porcelain Throne series of a horrible bathroom interior shot on a crap disposable camera. Crap views, crap camera, crap image limit and I loved it.     Ok, so who are you? (the short version, please) JA: I’m Jack, and...

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Where’s my second coat? – Fuji Pro 400H (120)

Where’s my second coat? Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×12     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Zip ties – Agfa CT Precisa 100 (35mm)

Zip ties Shot on Agfa CT Precisa 100 at EI 100 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Racked – Kodak Tri-X 400 (120)

Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Tones – Konica Infrared 750 (120)

Tones Shot on Konica Infrared 750 at EI 8 Black and white infrared film shot as 6×6 Red #25 filter     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Gimme that sh*t – Fuji Reala 100 (35mm)

Gimme that sh*t Shot on Fuji Reala 100 at EI 100 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Monika and this is why I shoot film

Finally! That’s all I’m going to say about today’s interview. Well, ok then, if I must. Pinhole, large format, medium format, 35mm…it seems the only thing we can’t get this amazing photographer and passionate stalwart of the film photography community to do is shoot color film. Monika, it’s over to you!     Hi Monika, what’s this picture, then? M: This is the photograph that turned me into a pinhole photographer; a Polaroid 54 of the Ballard Locks, taken with a 4×5 Lensless pinhole camera. I had bought the pinhole to try and get out of a photographic rut. After...

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永保安康 / yǒngbǎo ānkāng / Eternal peace and health – Fuji Superia X-TRA 400 (35mm)

永保安康 / yǒngbǎo ānkāng / Eternal peace and health Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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