Select Page

Author: EMULSIVE

Split – Fomapan R 100 (120)

Split Shot on Fomapan R 100 at EI 100 Black and white negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 5: Focal plane shutter tuning and rangefinder

Welcome to part five – the penultimate part – of the AEROgraphic project. In this article you will finally be finishing your build. Rest easy, as part six is purely to show off some of the photographs I’ve taken with my own. As with the preceding parts of this series, I strongly recommend you visit what’s come before in order to bring yourself up to speed: The AEROgraphic project part 1 – introduction and required materials The AEROgraphic project part 2 – disassembly and strip down The AEROgraphic project part 3 – preparing and finishing the body The AEROgraphic...

Read More

Road hogs – Agfa Precisa CT 100 (35mm)

Road hogs Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross processed     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

Read More

無 / Wú / Nothing – ADOX Silvermax 100 (35mm)

無 / Wú / Nothing ADOX Silvermax 100 shot at EI 200 Black and white negative film in 35mm format Push processed one stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

I am EMULSIVE and this is why I shoot film

Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together. So much so in fact, that I enlisted the help of a few friends in the film photography community to help out with posing some additional questions. Thank you Sandeep, Cody and Ben. Anyway, now you’re here it’s time to hand over for a mildly special extended interview with me…erm, EMULSIVE.     Hi EM, what’s this picture, then? EM: I’ve mentioned this picture a few times here, on...

Read More

Built to last – Fuji 500T 8573 (35mm)

Built to last Fuji 500T 8573 shot at EI 500 Color motion picture film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

One more coat – Kodak Ektar 100 (35mm)

One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

Nuthin’ but bokeh – Lomography Lomochrome Purple XR 100-400 (35mm)

Nuthin’ but bokeh Lomography Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out.  ...

Read More

Spring growth – Ilford Pan F+ (120)

Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

EMULSIVE x Kodak Alaris Community Interview: results time

Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results!     Thank you’s and introductions First of all, a massive thanks to everyone who got involved in the final Q&A presented below. We chopped, diced and spliced as many of your questions as we could for a totally packed submission to the team over at Kodak Alaris. I’d like to extend a huge thank you to David Toman, Erik Gould and Ribnar Mazumdar for taking the helm on this community interview. Your insight, advice and feedback was invaluable in shaping the direction of...

Read More

門 / mén / door #02 – Fuji Provia 100F RDP III (120)

門 / mén / door #02 Fuji Provia 100F (RDP III) shot at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

I am Jessica Hobbs and this is why I shoot film

This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs. It’s been a busy 12 months for Jessica, she’s recently finished her Montreal Festival project – 225 festivals in Montreal in 12 months…I’m guessing she’s in need of a bit of a rest. Anyway, enough from me. It’s over to you, Jessica!     Hi Jessica, what’s this picture, then? JH: Sometimes the best photographs are the ones you almost don’t take. This was taken a few years ago in the woods surrounding my fiancé’s farm, my favourite place to shoot. It was a hot, late August afternoon and...

Read More

On edge – Ilford Pan F+ (120)

On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)

Bougainvillea bonsai Fuji Provia 100F (RDP III) shot at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

門 / mén / door #01 – Ilford Pan F+ (120)

門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 4 – reassembly

Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together. By the time you’ve completed the steps described in this article you’ll have a fully functioning 4×5 camera, so don’t lose heart. But…we don’t want to stop there. In part five, I’ll be showing you how to calibrate your rangefinder to your lens, and set your focal plane shutter for accurate speeds. Finally, In part six, I will be showing you some of the photographs I’ve taken with my own AEROgraphic and inviting you to share your own....

Read More

In thought – ADOX Silvermax 100 (35mm)

In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

EMULSIVE x FILM Ferrania Community Interview: Submit your questions

It’s time to introduce the fifth in our series of EMULSIVE Community Interviews to you, this time with the brains at FILM Ferrania, a little Italian company you may have heard of here and there. If you’re wondering where interviews 3 and 4 are (Kodak Alaris and Billingham), I assure you that they are both coming. Keep a close eye on the EMULSIVE feed over the coming weeks. While gears are whirring in the background for those two, I’d like to call you all to arms and submit your questions to the Film Ferrania team starting today.     FILM…Ferrania?...

Read More

Stop – ADOX Silvermax 100 (35mm)

Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out....

Read More

Search

Follow


Subscribe

Pin It on Pinterest

Get EMULSIVE updates in your inbox

Get EMULSIVE updates in your inbox

Ever thought about recieving EMULSIVE updates by email?

Subscribe now and we'll send you one email each day with all the latest posts, as well as one weekly summary for some light Sunday reading.

You've subscribed successfully, thanks. We promise to keep your information safe and not sell it on to third parties.