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Author: EMULSIVE

Paddy whacker – Kodak AEROCHROME III 1443 (120)

Paddy Whacker Kodak AEROCHROME III 1443 shot at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Aislinn Chuahiock and this is why I shoot film

I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview. She refers to her work as “mundane”, I beg to differ. Aislinn, it’s over to you.     Hi Aislinn, what’s this picture, then? AC: This is one of my recent favorite shots of one of the most beautiful museums I’ve been to, the Muséum d’histoire Naturelle – Jardin des Plantes in Paris. I think if I can sum up what makes me click the shutter, it’s capturing any scene that I subconsciously wish I were a part of. The funny thing...

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I made this – Fuji Velvia 100 – RVP100 (120)

I made this Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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The EMULSIVE x Intrepid Camera Co. Community Interview: Part 1 – Submit your questions

It’s time for the sixth in this series of EMULSIVE Community Interviews, and our first camera vendor, no less. I’m proud to announce the call for questions for the EMULSIVE x Intrepid Camera Community Interview. If you’re even a little bit plugged-in to what’s moving and shaking in analogue photography, you’d be hard pressed to have missed Intrepid Cameras’ arrival on the large format scene, as well as their subsequent total domination of the compact/light large format camera space. They’ve recently completed a successful Kickstarter for their brand new 8×10 camera and you will hopefully have caught up on a...

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Rotation – Kodak AEROCHROME III 1443 (120)

Rotation Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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The best of #SummerFilmParty June 2017

Welcome to the best of #SummerFilmParty June 2017, as selected by the SummerFilmParty panel. Thanks very much to the team for their help in both manning battlestations and putting together their shortlists for each of the five categories: #Landscape Nature or urban scenes, it’s up to you #Streetlife It’s up to you to include people and or architecture #Abstract / #FunkyAF No poultry unless absolutely necessary #Home Shooting indoors or gearing up for a Kitchen Battle, this is for you #Macro / #CloseUp Anything as close as your lens will allow   We had a little over 200 entries...

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Lookout – Kodak EKTACHROME 100VS – E100VS – (120)

Lookout Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Claudio Gomboli and this is why I shoot film

Rolling in for the second interview after my short break is Claudio Gomboli, Turinian currently ensconced in London, England. There’s plenty to read below, so I’ll keep this short and simply say Claudio, it’s over to you!     Hi Claudio, what’s this picture, then? CG: This is a special photo for me. It’s the last portrait photo I took of my mother, a couple of months ago, just a month before she passed away. I didn’t know then that this would have been the last portrait I could take of her, but I do remember that I thought...

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Candlesticks – Shot on Fuji Provia 100F – RDP III (120)

Candlesticks Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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The Community Critique Project: #01 Robert J Davie’s STEIN collection

Welcome to the Community Critique Project: a new concept for providing peer-driven photographic critique through a platform of honest, open and measured discussion. In short, a photographic critiquing platform for the film photography community, by the film photography community. This first article provides an extended background of the concept, outline of the format and the results of the first critique. Let’s jump in.     Community critique: background The web has given us global connectivity with our peers but seem to have paid for it by losing the art of discussion. It’s no secret that the internet no longer...

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BE&ER MOVIES – Kodak Portra 400VC (120)

BE&ER MOVIES Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Well moored – Shot on Fuji Velvia 50 – RVP50 (120)

    Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Film noir daycare – Fomapan R100 (35mm)

Film noir daycare Shot on Fomapan R100 at EI 100 Black and white reversal (slide) film in 35mm format Reversal development       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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EMULSIVE x FILM Ferrania Community Interview: results time

At the beginning of March 2017, we opened the doors for you you to submit your questions to the team at FILM Ferrania. The wait is finally over, it’s time for the results! Before we get into the meat of the interview first let me send a huge thanks to everyone who got involved in the final Q&A presented below. The panel for this interview comprised of  Massimiliano Acanfora, Massimiliano Marchetti, Pierluigi Tolu. Your support and help was invaluable, thank you all.     The FILM Ferrania team We were very lucky to have Dave Bias, marketing, communication and sales director for FILM Ferrania taking care of...

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Wall Lords – Kodak VISION3 250D 5207 – (35mm)

Wall Lords Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Jacopo Brancati and this is why I shoot film

My short interview hiatus is over and I’m very happy to bring you the words and pictures of a wonderful man and past contributor to EMULSIVE, Jacopo Brancati! I’m going to leave my thoughts on the man himself until the bottom of the page. In the meantime, I’d like to invite you to scroll down, open your mind and feast your eyes on what lies below. Over to you, Jacopo!     Hi Jacopo, what’s this picture, then? JB: This picture is the scan of a negative 6×9 taken during the early ‘90s with a camera I inherited from...

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恭喜發財 / Gōngxǐ Fācái / Wishing you prosperity – Kodak VISION3 250D 5207 – (35mm)

恭喜發財 / Gōngxǐ Fācái / Wishing you prosperity Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Finding film part six: taking it slow with ILFORD Pan F+

Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine! Not the kind where you get a burst for the odd hour or so, I mean full on sunshine, blue skies, all weekend (at the time of writing/shooting we are talking mid-March, which for the UK is pretty good going). I know it sounds like I bang on about the weather a lot, but good light definitely helps photographers, and when every weekend is grey, flat and overcast, it really starts to get me down after a while, as I start...

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Happy birthday ‘Murica! – Fuji Provia 100F – RDP III (35mm(

Happy birthday ‘Murica! Shot on Fuji Provia 100F (RDP III) Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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…and it was all yellow – Fuji ETERNA 400 8583 – (35mm)

…and it was all yellow Shot on Fuji ETERNA 400 (8583) at EI 400 Color negative motion picture film in 35mm format         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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