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Author: EMULSIVE

EMULSIVE Santa 2017: registration is closed and next steps

Ho ho ho! Welcome to Christmas…it’s a little early but welcome nonetheless. This year’s Secret Santa registration has been manic to say the least. In the space of the last seven days, we increased our player count by over two hundred and closed registration just a few hours ago with a grant total of 779 players in 46 countries. On behalf of myself and special helper elf Aislinn, thank you all so much! This year’s player count makes EMULSIVE Santa 2017 nearly seven times larger than 2015’s inaugural event and around 1.5 times larger than 2016. If we keep...

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Improvise, adapt, overcome – Shot on ILFORD HP5 PLUS (35mm)

Improvise, adapt, overcome Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Film Review: Rollei Vario Chrome (35mm)

It’s time to lift the veil on my thoughts about Rollei Vario Chrome, a “new” slide film officially announced in June 2017 and available in 36 exposure 35mm cassettes*1. I’ve been putting this review off for a while, as I’ve needed some time to consider my feelings about the film and be a little more objective about my interpretation of my results to date. For those of you who don’t want to jump through hoops to find out what those feelings are, here’s the short version:   If you’re looking for a slide film that provides you with accurate...

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Ash collection system – Shot on Fuji Provia 400X – RXP400 (120)

Ash collection system Shot on Fuji Provia 400X (RXP400) at EI 400 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Coiled #03 – Shot on ADOX Silvermax 100 (35mm)

Coiled #03 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Sheena She and this is why I shoot film

Hey everyone and welcome to the latest EMULSIVE interview. Today, I’m happy to bring you the words and pictures of Sheena She. It’s over to you, Sheena!       Hi Sheena what is this picture, then? SS: I had the opportunity to photograph the 2016 New York Fashion Week for Tumblr.  This job meant a lot to me and it was a humbling experience.  I enjoy challenges and this really was one for this newbie to fashion week.  It true what they say, it really is chaotic and it gets your cardio in for the day!  Super fast...

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No flyers – Shot on Kodak Plus-X 125 (35mm)

No flyers Shot on Kodak Plus-X 125 at EI 100 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Coiled #02 – Shot on ADOX Silvermax 100 (35mm)

Coiled #02 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Full spread – Shot on Fuji Pro 400H (35mm)

Full spread Shot on Fuji Pro 400H at EI 400 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Jägermeister – Shot on Kodak BW print film 2302 (35mm)

Jägermeister Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Slowed – Shot on Luckyfilm New SDH 100 (35mm)

Slowed Shot on Luckyfilm New SDH 100 at EI 100 Black and white negative film in 35mm format Reversal developed     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Ante Prskalo and this is why I shoot film

I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal. Over to you, Ante!     Hi Ante, what’s this picture, then? AP: Mom was burning a haystack and since I had my Praktica MTL5B with me (loaded with Efke 100), I just captured a couple frames. There wasn’t much time to think since the wind was blowing like crazy, and I had to move quickly. No posing whatsoever because mom was too busy to think about that and I feel like those...

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Asleep on the job – Shot on Kodak BW print film 2302 (35mm)

Asleep on the job Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Bamboo grove #01 – Shot on Fuji Provia 100F – RDP III (120)

Bamboo grove #01 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film at in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Announcing the Reflex: the first newly designed 35mm manual SLR system in 25 years

Brought to you by designer and founder Laurence Von Thomas, Reflex is a brand new, modern and modular 35mm SLR film camera available to fund on Kickstarter as of a few moments ago. It is the first newly designed manual SLR system in over 25 years. Here’s what’s covered in this article: Before we jump in, I can also exclusively reveal that Silberra Film are Reflex’s film partner and will be providing the films you see on the campaign page. You have to love collaboration in the film photography community.       About the Reflex system The Reflex...

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Featured project: ROY STRYKER | An FSA-inspired film Documentary photography project to introduce America to Americans – by Kenneth Wajda

I’m a dreamer. I believe the power of photographs can change America, and I have proof it’s possible. Roy Stryker, who was the creator of the FSA photography project in the 1930, during the post-Depression era, used photographs to bridge a divided country. He created a resource with a goal of ‘Introducing America to Americans’. The photographs his photographers made changed the way people perceived folks in the rural areas, folks who were suffering in the dust bowl, living in poverty, etc, and ultimately those people in need were able to be helped and it raised our country up....

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Almost there – Shot on Kodak BW print film 2302 (35mm)

Almost there Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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#DeltaDefJam September 2017 Winner Announcement

It’s been a while coming but we’re finally able to announce the winners of September’s #DeltaDefJam event! It’s a bit of a unique announcement as we have four participants tied for fourth place – a first for us. Let’s jump in.       Joint 3rd place II – @3eyedmonster Determination #DeltaDefJam #ilfordfilm #believeinfilm #delta400 #canona1 @DeltaDefJam     Giacomo Frullani‏ – @giacomofrullani Laos #DeltaDefJam #hasselblad #mediumformat #ilfordfilm #ilfordfridayfavourites #delta100 #believeinfilm #filmisnotdead #photography #travel     Stefano‏ – @plusloin_music “Open” #contaxt3 @ILFORDPhoto #Delta100 @DeltaDefJam #DeltaDefJam #believeinfilm   Monika‏ – @DrMarsRover Untitled, from Housebound @ILFORDPhoto Delta 100 | RSS pinhole 6×6 (3...

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Small hot chillies – Shot on Lomography Color Negative 400 (120)

Small hot chilies Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Film Review: Lucky New SHD 100 Part 3 – 35mm EI 400 (bracketed +/- 1 stop)

Welcome to part three of my review of Luckyfilm’s NEW SHD 100 black and white negative film, this time describing the film shot at EI 400 and bracketed +/- 1 stop of under and over exposure.     Series structure Part one covered the 35mm version of Lucky New SHD 100 at EI 100 with +/- 1 stop brackets. Part two went on to cover EI 25 with the same bracketing system. In this, part three, I’m covering the film shot at EI 400 and part four will cover the film developed in a black and white reversal development process....

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