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Month: February 2017

Every new film photography stock announced in 2017 (v4)

Update: #04 2017-07-09 Added New Lucky Film SHD 100 (May 31st 2017) Added side-by-side exposure examples of Rollei Vari Chrome (EI 400 and 200 / E6 processing) 2017 has been a bumper year for film photography so far! This article provides a living record of all the new films announced in 2017. At the time of the most recent update we’re looking at nine new film stocks pus one new second run. Film is dead, right? Looks like quite a few people didn’t get the memo… Let’s have a quick look at the films covered here: We’ve provided information for...

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Plumb line – Kodak T-MAX 100 (35mm)

Plumb line Shot on Kodak T-MAX 100 at EI 100 35mm Black and white film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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My return to film: Adam J White

My name is Adam White. I am a hybrid photographer based in Carlsbad, NM. I in December 2014 I started shooting film more seriously. I started dabbling with film back in 2009 as something to try and see what the results would be. Used a Mamiya 645 in a studio setting (not sure of the model anymore). But the results were not bad other than my exceeding the flash sync speed. Fast forward to June of 2014, I had a Canon EOS 630 and started using it again for family related images. This sparked my curiosity in film again, so I...

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Boing – Kodak T-MAX 100 (35mm)

Boing Shot on Kodak T-MAX 100 at EI 100 35mm Black and white film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Welcome to #TMAXParty 2017 – Celebrating Kodak TMAX 100, 400 and 3200 in any format of your choice

Walking in the very large footprints of FP4Party is the first film party brought to you by EMULSIVE in 2017 – welcome to #TMAXParty! Shoot a roll or sheet of any version of Kodak T-MAX, new or old in any format you wish during the “shoot weeks” listed below of each month and share your results on Twitter during each “post week” using the#TMAXParty hashtag and by tagging @TMAX_Party. It’s as simple as that. We’ll collect the best images submitted each shoot week and feature them right here on EMULSIVE for all to see. Here’s the roster for the...

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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 2 – disassembly and strip down

Welcome back for part two of the naked Aero Ektar Speed Graphic project. What was once known as the AERO Peacemaker is now called the AEROgraphic (I changed my mind 😉 ) If you’re coming straight from part one and are confident enough to jump right in, please feel free to scroll down a bit past the recap. If you’re reading this for the first time, I highly recommend you read part one first. If you happen to be looking for the other parts of this series, use the links below to jump to the section you’re looking for: The AEROgraphic...

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Creeping up – Kodak Portra 800 (120)

Creeping up Shot on Kodak Portra 800 shot at EI 800 Color negative film in 120 format shot as 6×12     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Streetshooter – ADOX Silvermax 100 (35mm)

Streetshooter Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Gareth Buckett and this is why I shoot film

I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer; and curator of nikonf5.net. Enough from me, it’s over to you, Gareth!     Hi Gareth, what’s this picture, then? GB: This is an image I took a few years ago standing on the shores of Lake Phewa, Nepal (Nikon F4 with Kodak E100VS). It was the only frame I took that day and it turned out to be the last one of that trip. There are many ‘brochure’ shots of the lake but the sad reality is it’s...

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I have no idea what this is – Shot on Kodak Portra 160NC – unperforated (35mm)

I have no idea what this is Shot on Kodak Portra 160NC (unperforated) at EI 100 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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