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Month: December 2016

Into the canopy – Fuji Pro 400H (35mm)

Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Results time: Fuji Instax Mini Monochrome photo competition

Thank you all very much for your patience over the past few weeks. The results are in, decisions have been made and it’s finally time to announce the winners of the Fuji Instax Mini Monochrome photo competition! In total, Dan K and I received 60 entries from 14 countries of the duration of the six week submission window and we’ve spent the best part of the last fortnight since the extended deadline deliberating our shortlist, short-shortlist and really-short-shortlists. It was a tough job whittling down the initial selection to what you see here and I hope that the notes with each...

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Slow day – Ilford Delta 100 Professional (35mm)

Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Dustin Veitch and this is why I shoot film

Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and only Dustin Veitch! Enough from me, it’s over to you, Dustin!     Hi Dustin, what’s this picture, then? DV: I made this photo the day after getting reacquainted with film photography and the purchase of my Canon Canonet 28. It’s truly the stereotypical Saskatchewan summer scene. You know, grain bins, a field and a sunset worth writing home about....

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At speed – Agfa Precisa CT 100 (35mm)

At speed Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross processed     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.    ...

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Stone, rubber and steel – Macophot Ortho 25 – (35mm)

Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Straight up – Fuji Neopan 400 (35mm)

Straight up Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Generational distractions – Fuji Neopan 400 (35mm)

Generational distractions Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Daniel Tim and this is why I shoot film

Welcome one and all! Is it cold outside? If so, get wrapped up, grab a cup of something warn and settle down for a Finnish episode of the EMULSIVE interview – number 120, no less! Are you stilling comfortably under your blanket? Great, it’s time to hand over to Daniel Tim!     Hi Daniel, what’s this picture, then? DT: This is a picture taken in Lauttasaari – a district in southern Helsinki situated on an island with the same name (“Saari” means island in Finnish). The place is of a huge significance to me, because I’ve been living...

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Thermoplastic – AgfaPhoto Vista Plus 200 (35mm)

Thermoplastic AgfaPhoto Vista Plus 200 shot at EI 200 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Tricolore – Macophot Ortho 25 – (35mm)

Tricolore Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Pediment – Kodak ULTRA MAX 400 (35mm)

Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Bowed – Ilford Pan 100 (35mm)

Bowed Ilford Pan 100 shot at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Untitled – Kodak Ektar 100 (120)

Untitled Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Florentijn Boddendijk and this is why I shoot film

Instant obsessive or instantly obsessed? I’ve had a hard time pigeon holing today’s interviewee and after much thought, I’ve decided that honour should be left to you, dear readers. I’ll tell you this however, you’re in for a helluva ride. Ladies and gentlemen, this is Florentijn Boddendijk.     Hi Florentijn, what are these pictures, then? FB: On the top is a picture of an entire night’s car trip from Nice to la Colle-sur-Loup. The one on the bottom is a long exposure of new years eve 2015 with the moon trail fireworks and flying lanterns. Both were taken taken with my supersense pinhole...

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Pinned blessings – Shanghai GP3 100 (120)

Pinned blessings Shanghai GP3 100 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed four stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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FP4 Party November 2016 – winner announcement

Shoot week of the final FP4 Party of 2016 has just wrapped and I expect you’re all hunched over your darkroom gear trying to coax an image from your rolls. Well, If I could tear you away for a few minutes, I’ve got a little announcement to make: the winner of November’s FP4 Party. Before naming this month’s winner, I’d like to reiterate once more how difficult it was to make the shortlist you all voted on this month. We collected 211 submissions over the course of post week via the #FP4Party hashtag on Twitter. Once post week came to a close, we spent...

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Whatcha got? – Fuji Reala 100 (35mm)

Whatcha got? Fuji Reala 100 shot at EI 100 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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An introduction to wet plate collodion by Robert Marsters

You might remember that we featured an interview with Robert Marsters some months ago. I asked Robert to provide some background to the wet plate collodion process as part of the piece but quite frankly, I wasn’t prepared for what he sent over. After some deliberation, I asked Bob if he wouldn’t mind turning it into a fully fledged article covering an introduction to the process. That, as they say was that. The rather comprehensive results are below. Thank you, Robert. U~ EMULSIVE   An introduction to wet plate collodion When working with wet plate collodion, I find that it’s very...

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Sliver – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)

Sliver Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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