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Month: December 2016

Into the canopy – Fuji Pro 400H (35mm)

Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Results time: Fuji Instax Mini Monochrome photo competition

Thank you all very much for your patience over the past few weeks. The results are in, decisions have been made and it’s finally time to announce the winners of the Fuji Instax Mini Monochrome photo competition! In total, Dan K and I received 60 entries from 14 countries of the duration of the six week submission window and we’ve spent the best part of the last fortnight since the extended deadline deliberating our shortlist, short-shortlist and really-short-shortlists. It was a tough job whittling down the initial selection to what you see here and I hope that the notes with each...

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Slow day – Ilford Delta 100 Professional (35mm)

Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Dustin Veitch and this is why I shoot film

Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and only Dustin Veitch! Enough from me, it’s over to you, Dustin!     Hi Dustin, what’s this picture, then? DV: I made this photo the day after getting reacquainted with film photography and the purchase of my Canon Canonet 28. It’s truly the stereotypical Saskatchewan summer scene. You know, grain bins, a field and a sunset worth writing home about....

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At speed – Agfa Precisa CT 100 (35mm)

At speed Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross processed     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.    ...

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Stone, rubber and steel – Macophot Ortho 25 – (35mm)

Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Straight up – Fuji Neopan 400 (35mm)

Straight up Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Generational distractions – Fuji Neopan 400 (35mm)

Generational distractions Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Daniel Tim and this is why I shoot film

Welcome one and all! Is it cold outside? If so, get wrapped up, grab a cup of something warn and settle down for a Finnish episode of the EMULSIVE interview – number 120, no less! Are you stilling comfortably under your blanket? Great, it’s time to hand over to Daniel Tim!     Hi Daniel, what’s this picture, then? DT: This is a picture taken in Lauttasaari – a district in southern Helsinki situated on an island with the same name (“Saari” means island in Finnish). The place is of a huge significance to me, because I’ve been living...

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Thermoplastic – AgfaPhoto Vista Plus 200 (35mm)

Thermoplastic AgfaPhoto Vista Plus 200 shot at EI 200 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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