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Month: November 2016

I am Richard Pickup and this is why I shoot film

I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent. There’s no arguing that Richard Pickup knows a thing or two about photography. Remember when you were at school and you thought that the teachers knew barely more than you? That’s not the case here. Over to you, Richard.     Hi Richard, what’s this picture, then? RP: I did a lot of street photography in 2000 when this photograph was taken. Looking back,...

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Blown over over blown – New Oriental Seagull 400

Blown over over blown Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Camera review: Me and my Lomography LC-A 120 by Lorraine Healy

The LCA 120 camera is part of the LCA family of cameras, but I believe it is the only one which is a creation of the Lomography Society and not a reworking of the old U.S.S.R . Lomo cameras—which, as far as I know, were all 35mm. I spent a long time wondering whether to get this camera or not. At $430 it seemed very pricey (I still think it is) but I was really loving the images by other photographers which I saw posted on the Lomography site. A month after I bought it, having shot only maybe...

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The longer you wait… – Agfa Scala 200X (35mm)

The longer you wait… Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Pure rot – Ilford HP5+ (120)

Pure rot Ilford HP5+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1 stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Secret Santa 2016: sponsor announcement 3

There’s only one week to go until registration for Secret Santa 2016 closes. Time is definitely running out. If you’re reading this on November 24th 2016 then there are exactly seven days left for you to register for EMULSIVE Secret Santa 2016. Heading into the final week of registrations there are currently 317 players ready and waiting. It’s an amazing feat made possible only because of your efforts in getting the word out. Thank you all so much. You may recall that last week’s update announced additional sponsors for Secret Santa 2016: Vancouver’s Beau photo supplies and the one and only Eastman...

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Redfern – Lomography Redscale XR 50-200 (120)

Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6×12 Kodak Aero Ektar 178/2.5     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Robert Versteegen and this is why I shoot film

Today we’re very lucky to be able to sit down and pull on a few film photography threads with Robert Verteegen, Eindhoven, NL native and shooter of so-called ordinary things. One look at the images below and Robert’s website and you’ll see that they’re anything other than ordinary. Over to you, Robert.     Hi Robert, what’s this picture, then? RV: This is a reflection. It’s difficult to see what’s what, and that’s what I like about it. Actually this was from my second roll of film in medium format (120). I love to make complex compositions and don’t...

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Hey, you’re in my sho…never mind – Kodak Tri-X 400 (35mm)

Hey, you’re in my sho…never mind Kodak Tri-X 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Bench – Ilford Delta 400 Professional (120)

Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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