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Month: September 2016

EMULSIVE x Kodak Alaris Community Interview: Submit your questions

UPDATE: The EMULSIVE x Kodak Alaris Community Interview is now live at: http://emulsive.org/articles/community-interviews/emulsive-x-kodak-alaris-community-interview-results-time. Head on over to see the results. It’s time to introduce the third in our series of EMULSIVE Community Interviews and if the two previous interviews with ILFORD and Lomography weren’t enough for you to fill your boots, perhaps the subject of interview three will give you the satisfaction you need. As the title says,  time, we’re bringing you the one and only Kodak Alaris.   Kodak…Alaris? Yes, Kodak Alaris. Still not 100% sure who they are? Here’s a primer: he business was formed in September 2013 and is an...

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Six layers – Kodak Ektar 100 (35mm)

2016-09-30 – Six layers Kodak Ektar 100 shot at EI 100 Color negative film in 35mm format   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Scott Barman and this is why I shoot film – NSFW

Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work. Just in case you need some space, the interview starts below. Scroll down when you’re ready.     We’re sitting down with Scott D Barman, a photographer who focuses on the human form and what he terms as “minimal interference portraiture”. Scott’s got an interesting look about his work and has had his work exhibited both on-line and offline. To top it all off, he recently got married, so a huge congratulations is in order! Over to you, Scott.     Hi Scott,...

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Symmetry – Kodak Portra 160NC (35mm)

2016-09-29 – Symmetry Kodak Portra 160NC shot at EI 100 Color negative film in 35mm format   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Film review: Fuji Instax Mini Monochrome

Welcome to – to the best of our knowledge – the world’s first review of Fuji Instax Mini Monochrome! Technically the film isn’t supposed to be released until some time in October 2016 but I’ve no word of an embargo, so here goes. Fuji Instax Mini is hands-down FUN to use and whilst Instax Wide – with its increased resolution – produces images of an arguably higher quality (in relative terms), the Mini format has its charms. Sure the camera’s are mostly fully automatic but it’s only a matter of time before someone sees sense and gives us the option...

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By the sack – Fuji Pro 400H (35mm)

2016-09-28 – By the sack Fuji Pro 400H shot at EI 200 Color negative film in 35mm format Over exposed by one stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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That way – Konica Color Pro 100 (35mm)

2016-09-27 – That way Konica Color Pro 100 shot at EI 100 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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FP4 Party: Best of September 2016

Well that went fast. The first #FP4Party is over and that can only mean one thing: it’s time for the after party. What’s that, you say? The after party! It’s time to celebrate the celebration that was the first #FP4Party. We’ve collected 14 of the most popular posts during “post week” from 19th-26th September 2016 and displayed them here for both your attention and selection. The selection part is important, as we want you to decide on a favorite. It’s a difficult choice, which is why it’s being left to you. We’ll be asking your favorite photographer to talk to...

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Erm…what? – Oriental New Seagull 400 (35mm)

Erm…what? Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Kodak Tri-X 400 development times – EI 200 to EI 25600

My recent Ilford FP4+ development times article seemed to cause quite a buzz. Mostly around the topic of “why would you even try to shoot this film at EI 6400?!” I’m not really one for standing still and with that in mind, I’ve decided to publish my personal development times for Kodak’s Tri-X 400 from EI 200 all the way up to EI 25600. As with the times published in the Ilford FP4+ article, the tables below show both real world tested and untested (extrapolated) development times for this film. The times listed below may not work for everyone (differences in water...

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