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Month: July 2016

Don’t mind me – Fuji Neopan SS 100 (35mm)

2016-07-29 – Don’t mind me Fuji Neopan SS 100 shot at EI 100 Black and white negative film in 35mm format         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Hibiscus – Agfa APX 400 Professional (35mm)

2016-07-28 – Hibiscus Agfa APX 400 Professional shot at EI 400 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Dean Bennici and this is why I shoot film

It’s difficult to understate Dean Bennici’s importance to the world of color infrared photography. When I say difficult, what I mean is that it’s impossible. Dean is singlehandedly responsible for bringing the world Kodak AEROCHROME in 120 and 4×5 formats – having cut down, or bulk loaded every roll and sheet in existence…and that’s without even referring to his immense body of work. With that said, it’s probably best for me to hand over to the man himself. Over to you, Dean.     Hi Dean, what’s this picture, then? DB:  This is a portrait taken with Kodak AEROCHOME...

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Gold and jade – Fujicolor Industrial 400 (35mm)

Gold and jade Shot on Fujicolor Industrial 400 at EI 400 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Letters to the editor – Ilford HP5+ (35mm)

Letters to the editor Shot on Ilford HP5+ at EI 800 Black and white negative film in 35mm format Push processed one stop       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Travelogue: Cuba

“The cars hiss by my window Like the waves down on the beach The cars hiss by my window Like the waves down on the beach” ~ The Doors   I got this Doors tune in head as I found myself in La Havana. The fan is running on its slowest setting and gentle pushes me out of the Casa Particular I’m renting. In Cuba, you don’t sleep in Hotels; it is expensive and quite impersonal. The better way is to book a room in someone homestay, a Casa Particular. Being greeted with a smile at the doorway and fruit on the table is Cuban style....

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Nice – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)

Nice Shot at Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Camera Review: Me and my Mamiya RB67 Pro-S by Rob Davie

  Having read a couple of reviews on EMULSIVE from proud owners of other medium format gear (Daniel J. Schneider and his Pentax 6×7, Laidric Stevenson and his Bronica GS1 and of course the Rolleicord Vb by Shawn Mozmode), I just had to chip in with my review of the Grand Battleship of Medium Format aka my Mamiya RB67 Pro-S! Here’s what’s covered in this article:     History of the Mamiya RB67 The Mamiya RB67 was designed to stand alongside Mamiya’s equally robust C series of 6×6 TLRs and was launched in 1970. It went through a few iterations before production...

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Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am LA Lyles and this is why I shoot film

Today’s interviewee stumbled into film photography as a result of not wanting to be left out of all the fun that was going on around her. I’m incredibly glad that she did and I’m sure you will be too, after seeing her words and work below. Over to you, LA!     Hi LA, what’s this picture, then? LA: This photo is off the very first roll of film I ever shot. I had no clue what I was doing at the time. I was shooting on a Holga with very shaky hands mind you, then this happy accident occurred....

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