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Month: April 2016

EMULSIVE 52 Rolls 2016 Week 10-13 update

“What is this mysterious object in the sky? Why does it burn my eyes? What is this feeling on my skin? Whatever it is, it can’t be good.” Minutes pass and a memory begins creeping to the front of my mind, “Ah yes, I remember..it’s called heat. And that glowing ball…s-s-s-sun!” I wish I was joking, it feels like an eternity since I last saw the sun hanging in a cloudless sky. The past few months have been dull and gray to say the least; and the rain has been pouring for so long that I no longer remember...

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Blue steel – Kodak Portra 100T (120)

Blue steel Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Brian Miner and this is why I shoot film

35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project. Someone keep this man in developer so we can see how far he goes. It’s time to hand over to the one and only Brian Miner.     Hi Brian, what’s this picture, then? This is one of my rare color 4×5 exposures from 2015. Most were black and white for my 4×5 365 project. I planned this shot for several days in advance using...

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To infinity – Eastman Double-X (5222)

To infinity – 2016-04-28 Eastman Double-X (5222) shot at EI 200 Black and white negative film in 35mm format Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Camera review: Me and my Olympus OM-1N by Sandeep Sumal

Today we’re handing over to Sandeep Sumal, better known as Twitter’s @givemeabiscuit, for a review of his personal weapon of choice, the Olympus OM-1n. Over to you, Sandeep!   The Olympus OM-1 was introduced in 1973 and was originally launched as the M-1, which relatively quickly had to be changed to the OM-1 as Leica felt it was too close to their M series.  According to Olympus it earned acclaim as the worlds smallest and lightest 35mm single-lens reflex camera… …blah blah blah blah we can all google this background stuff, let me instead tell you why I chose...

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Budding – Efke R25 (120)

Budding – 2016-04-27 Efke R25 shot at EI 25 Black and white negative in 120 format shot as 6×6 Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Ron Hammond and this is why I shoot film

Today’s interviewee is prolific to say the least. Ron Hammond has been actively photographing for over 50 years and exhibiting his work in solo shows for over 25 of them. He has a number of collections on display across the US and has published a handful of books, to boot. Think you know what to expect from the words and images below? Think again. Over to you, Ron.     Hi Ron, what’s this picture, then? RH: Imogen Cunningham once said that her favorite photograph was the one she was going to take tomorrow. This isn’t quite that recent. I was...

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I am a wall – Kodak BW400CN (120)

I am a wall – 2016-04-25 Kodak BW400CN shot at EI 400 black and white negative in 120 format shot as 6×6 Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Wavy lines – Kodak T400CN (120)

Wavy lines – 2016-04-25 Kodak T400CN shot at EI400 Black and white negative in 120 format shot as 6×6 Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Glow – Kodak High Speed Infrared / HIE (35mm)

Kodak High Speed Infrared / HIE shot at EI 100 Black and white infrared film in 35mm format Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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