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Month: February 2016

R&R – Fuji Provia 100F – RDP III (120)

R&R Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the Fuji Provia 100F (RDP III) review here.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Film culture: TRAPPED. On Film

Spend any appreciable amount of time talking about film photography on Twitter and sooner or later you’ll come into contact with AndaM, AKA @BeRadiant. Now it seems that Anda’s finally gotten around to putting on her first solo exhibition and if you find yourself in London, Ontario, we really think you should head on over and check it out. TRAPPED. On Film explores the intimate relationship between light and film, and the ‘trapping’ of light by film. It started on February 23rd  2016 and spreads over 2 weeks until March 5th. Anda’s participated in group exhibitions until now –...

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An introduction to Luminograms with Michael Jackson

If you’re a regular reader of EMULSIVE interviews, then you may remember our piece with Michael Jackson and his wonderful work at Poppit Sands back in October last year. You may also have noticed that most of his output of late hasn’t been (directly) of the beach he’s spent the past eight years capturing on film. It’s all a little…abstract. Enter the Luminogram. I’ve been fascinated by them ever since first being introduced to the form by one of Michael’s tweets: Head Study, silver gelatin Luminogram pic.twitter.com/CNc1xoNfMI — Michael Jackson (@MikeGJackson) October 26, 2015 On first glance, they look like charcoal drawings; bold outlines,...

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I am Chris Wood and this is why I shoot film

Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography. Over to you, Chris     What’s this picture, then? Jellyfish It’s one of my happiest experiments. Sealife centres are fantastic for a little day out but absolutely whack for film photography, unless you’re pushing some seriously fast film. Most of my shots were blurry from 1/15th shutter, or just too dark, but this was the perfect set up, a Jelly Fish tank with a rotating light display. Four exposures later and here we are....

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