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Month: September 2015

Trading place – Fuji Neopan 400 (35mm)

Trading place Fuji Neopan 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Prettyboy – Kodak Tri-X 400 (120)

Prettyboy Kodak Tri-X 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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….and stretch – Kodak 250D 5207 (35mm)

…and stretch Kodak 250D (5207) shot at EI 250 Color motion picture film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Roy Clark and this is why I shoot film

Currently based in one of my favorite parts of London (hint: US movie buffs might will recognise it as being near the main location of that Hugh Grant and Julia Roberts film), today’s interviewee, Roy Clark is a professional writer, photographer and educator (not in that order). We’re here to catch up with him about his thoughts on and drive for shooting film. Over to you Roy.     Hi Roy, what’s this picture, then? RC: I took this image this very week in Kew Gardens in London. A stiff breeze was blowing through the bulrushes behind this lakeside Cyprus...

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Fenced-in – Fuji Pro 160NS (120)

Fenced-in Fuji Pro 160NS shot at EI 160 Color negative film in 120 format shot as 6×4.5       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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MUSTH not approach – Lomochrome Purple XR 100-400 (35mm)

MUSTH not approach Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Interlocked – Kodak Tri-X 400 (35mm)

Interlocked Kodak Tri-X 400 shot at EI 800 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Exposed – Kodak Portra 400 (120)

Exposed Kodak Portra 400 shot at EI 1600 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Pocked – Kodak 800 MAX (35mm)

Pocked Kodak 800 MAX shot at EI 800 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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