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Month: September 2015

Trading place – Fuji Neopan 400 (35mm)

Trading place Fuji Neopan 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Prettyboy – Kodak Tri-X 400 (120)

Prettyboy Kodak Tri-X 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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….and stretch – Kodak 250D 5207 (35mm)

…and stretch Kodak 250D (5207) shot at EI 250 Color motion picture film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Roy Clark and this is why I shoot film

Currently based in one of my favorite parts of London (hint: US movie buffs might will recognise it as being near the main location of that Hugh Grant and Julia Roberts film), today’s interviewee, Roy Clark is a professional writer, photographer and educator (not in that order). We’re here to catch up with him about his thoughts on and drive for shooting film. Over to you Roy.     Hi Roy, what’s this picture, then? RC: I took this image this very week in Kew Gardens in London. A stiff breeze was blowing through the bulrushes behind this lakeside Cyprus...

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Fenced-in – Fuji Pro 160NS (120)

Fenced-in Fuji Pro 160NS shot at EI 160 Color negative film in 120 format shot as 6×4.5       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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MUSTH not approach – Lomochrome Purple XR 100-400 (35mm)

MUSTH not approach Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Interlocked – Kodak Tri-X 400 (35mm)

Interlocked Kodak Tri-X 400 shot at EI 800 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Exposed – Kodak Portra 400 (120)

Exposed Kodak Portra 400 shot at EI 1600 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Pocked – Kodak 800 MAX (35mm)

Pocked Kodak 800 MAX shot at EI 800 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Quadrophenia – Rollei Infrared 400 (120)

Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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School-run – Lomochrome Purple XR 100-400 (35mm)

School-run Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Sittin’ on the dock of the bay – Lomography Slide 200 (35mm)

Sittin’ on the dock of the bay Lomography Slide 200 XPRO shot at EI 200 Color reversal (slide) film in 35mm format XPRO       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Burn-in – Lomo XPRO Slide 200 (35mm)

Burn-in Lomo XPRO Slide 200 shot at EI 200 Color reversal (slide) film in 35mm format Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Andrew Hutchinson and this is why I shoot film

Today we’re sitting down with Arizona based history buff and urban art aficionado, Andrew Hutchinson. Andrew is a man seemingly obsessed with rich, saturated color and light…beautiful light. No surprise considering what he does for a living. Anyway, enough of me. Over to you, Andrew.     Hi Andrew, what’s this picture, then? This image is from the Calle 16 mural project on 16th street and Thomas (Phoenix, Arizona). It is one of the first images I took when I was getting back into photography 5 years ago. I think it pretty much sums up my style of shooting....

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Into the light – Fuji Velvia 50 RVP50 (35mm)

Into the light Fuji Velvia 50 (RVP50) shot at EI 50 Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Reach – Kodak High Definition 200 (35mm)

Reach Kodak High Definition 200 shot at EI 200 Color negative film in 35mm format Double exposure     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Your invitation to the EMULSIVE 2015 Secret Santa

Well, here we go barrelling into Christmas 2015. In some parts of the world, we shy away from calling Christmas, Christmas. Festive? Sure. Christmas, no. This is a little depressing. Thankfully, I like to call a spade a spade and a fork a fork, so Christmas is Christmas (and everything wonderful that comes with it.) Babbling aside, this is all to let you know that the EMULSIVE 2015 Secret Santa is now open for registration. For this, our (hopefully) first year, we’ve shied away from building our own service. Available resources aside, we felt it better to use an...

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Rolls – Kodak Portra 160 (120)

Rolls Kodak Portra 160 shot at EI 160 Color negative in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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