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Month: August 2015

Asphalt shimmer – Fuji Superia X-TRA 400 (35mm)

2015-08-29 – Asphalt shimmer Shot on Fuji Superia X-TRA 400 at ISO400 Color negative film in 35mm format film     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Vogue bitch – Lomochrome Purple XR 100-400 (120)

2015-08-28 – Vogue bitch Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Crimson woods – Kodak AEROCHROME III 1443 (120)

2015-08-27 – Crimson woods Kodak AEROCHROME III Infrared Film 1443 shot at EI 200 Color infrared aerial surveillance film in 120 format Overexposed one stop with orange filter     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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I am Chuck Baker and this is why I shoot film

Today we’re speaking with Chuck Baker, whom some of you will know as the mad genius brains behind the The Brownie Camera page. What you may not know however, is that Chuck is also an accomplished fine art photographer, whose work can be found at Chuck Baker Photography. Better seen for itself, rather than described poorly by yours truly. Let’s have a look at what Chuck has to say…     Hi Chuck, what’s this picture, then? CB: I was making a proof sheet (instead of scanning to proof), to quickly see if there was anything on this roll to...

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Succulents – Kodak High Definition 200 (35mm)

2015-07-26 – Succulents Kodak High Definition 200 shot at EI 200 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Bundle of laughs – Kodak Proimage 100 (35mm)

2015-08-26 – Bundle of laughs Kodak ProImage 100 shot at EI 100 Color negative film in 35mm format   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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EMULSIVE 2015 Secret Santa : Ho-ho-hoping you’ll join in!

Merry Christmas and good day to you all! That time of the year is nearly upon us and festive merchandise can already be seen creeping onto the shelves of supermarkets and department stores the world over. Whilst I don’t want to compound the depressing nature of this commercial reality, we at EMULSIVE HQ think it’s time to start getting ready by doing something a little bit different.     Seeing as things have been going so well with the film swaps, a few weeks ago we got thinking about doing something a little bigger and a little bolder. After mulling...

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Fruity – Kodak High Definition 200 (35mm)

2015-08-26 – Fruity Kodak High Definition 200 shot at EI200 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Pantone swatch – Kodak ProImage 100 (35mm)

2015-08-25 – Pantone swatch Kodak ProImage 100 shot at EI100 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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I am Debashish Samaddar and this is why I shoot film

Today we’re sitting down with the Russian camera loving, part-time philosopher, part-time poet and full-time father, Debashish (Dev) Samaddar. So, what’s Dev to go say to us? Take a look below to find out (spoiler: thousands of unfiled DSC_XYZ.jpg files).   Hi Dev, what’s this picture, then? My son, being a shadow puppeteer. I agree it could be done with digital as well, but I liked that grain and the contrast (this is TMax 100, btw) and liked how he was oblivious of what I was doing and immersed in his play.   Ok, so who are you? (the short version,...

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Two hearts – Fuji Pro 400H (120)

2015-08-25 – Two hearts Fuji Pro 400H shot at EI400 Color negative film in 120 format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Urban sprawl – Rollei Infrared 400 (120)

2015-08-24 – Urban sprawl Rollei Infrared 400 shot at EI 400 Black and white negative infrared sensitive film in 120 format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Watching the world go by – Fuji Pro 400H (120)

2015-08-24 – Watching the world go by Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Opal sprig – Lomochrome Purple XR 100-400 (120)

2015-08-23 – Opal sprig Lomochrome Purple XR 100-400 shot at EI400 Color negative film in 120 format shot as 6×4.5     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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Ochre palms – Lomography Redscale 100 (35mm)

2015-08-23 – Ochre palms Lomography Redscale 100 shot at EI100 Redscale negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community - all you need do is drop us a line and we'll work something...

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