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Month: August 2015

Standing tall – Fuji Provia 100F RDPIII (120)

Standing tall Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×12 Read the Fuji Provia 100F (RDP III) review here.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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High hopes – Kodak Pro Image 100 Professional (35mm)

High hopes Shot on Kodak Pro Image 100 Professional at EI 100 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Nightshade – Lomochrome Purple XR 100-400 (120)

Nightshade Shot on Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Analog trash – Kodak Portra 400 (120)

Analog trash Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Asphalt shimmer – Fuji Superia X-TRA 400 (35mm)

Asphalt shimmer Shot on Fuji Superia X-TRA 400 at ISO400 Color negative film in 35mm format film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Abstract – Shot on Lomochrome Purple XR 100-400 (120)

Abstract Shot on Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Vogue bitch – Lomochrome Purple XR 100-400 (120)

2015-08-28 – Vogue bitch Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Crimson woods – Kodak AEROCHROME III 1443 (120)

Crimson woods Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Chuck Baker and this is why I shoot film

Today we’re speaking with Chuck Baker, whom some of you will know as the mad genius brains behind the The Brownie Camera page. What you may not know however, is that Chuck is also an accomplished fine art photographer, whose work can be found at Chuck Baker Photography. Better seen for itself, rather than described poorly by yours truly. Let’s have a look at what Chuck has to say…     Hi Chuck, what’s this picture, then? CB: I was making a proof sheet (instead of scanning to proof), to quickly see if there was anything on this roll to...

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Succulents – Kodak High Definition 200 (35mm)

Succulents Shot on Kodak High Definition 200 at EI 200 Color negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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