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Month: July 2015

Birch – Fuji Acros 100 (120)

2015-07-31 – Birch Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Innerscape – Fuji 500T 8673 (35mm)

2015-07-30 – Innerscape Fuji 500T (8673) shot at EI500 Color negative motion picture film in 35mm format Expired film   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Follow the dragon – Shanghai GP3 100 (120)

2016-07-30 – Follow the dragon Shanghai GP3100 shot at EI 100 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Extinguished – Shanghai GP3 100 (120)

2015-07-29 – Extinguished Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Jonas Lundström and this is why I shoot film

Today we’re very happy to have the opportunity to interview the incredibly enthusiastic Sprocket-Shooting-Swede, Jonas Lundström! Jonas is a bit of a force of nature when it comes to experimenting with and talking about film and we’re looking forward to hear what he has to say. Let’s jump in!     OK Jonas, what’s this picture about? JL: It’s summer, I’m heading out to the archipelago and I’m feeling like some experimenting. Said and done, I took an old spool and paper from a 127 rollfilm I’d shot previously and loaded it with some 35mm color neg film. Knowing that the camera...

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Ride the big wheel – Eastman Double-X 5222 (35mm)

2015-07-29 – Ride the big wheel Kodak Double-X (5222) shot at EI 250 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Red Algae – Kodak AEROCHROME III 1443 (120)

2015-07-28 – Red Algae Kodak AEROCHROME III 1443 shot at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter     Especially for Marcus Didius Falco   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Boarded – Kodak EKTACHROME 100VS – E100VS (120)

Boarded Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Big block – Eastman Double-X 5222 (35mm)

27-07-2015 – Big block Kodak Double-X (5222) shot at EI 3200 Black and white negative motion picture film in 35mm format Push processed 4+2/3 stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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The pane – Ilford HP5+ (120)

27-07-2015 – The pane Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops Like this photo? Digital and physical media are available on request. Please share this image if you like it, or leave a message in the...

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Low EQ – Shanghai GP3 100 (120)

26-07-2016 – Low EQ Shanghai GP3 100 shot at EI 800 Back and white negative film in 120 format shot as 6×6 Push processed two stops   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Lit – Fuji Pro 160NS (120)

2015-07-24 – Lit Fuji Pro 160NS shot at EI 100 Color negative film in 120 format shot as 6×6 Like this photo? Digital and physical media are available on request. Please share this image if you like it, or leave a message in the...

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Knot a problem – Fuji Provia 100F RDPIII – XPRO (120)

23-07-2015 – Knot a problem Fuji Provia 100F (RDPIII) shot at EI 100 Color slide film in 120 format shot at 6×6 Cross-processed Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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The photographer’s daypack part 3: Toy camera style

Well, it seems like we hit a nerve with Jonas Lundström and he’s out for blood. With all the hubbub surrounding Holga Week 2015, he wrote in to complain softly ask why we haven’t yet featured any “toy cameras”. Well, we’ve got news for you, Jonas…the first picture in our first article was taken by yours truly on my very own Plastic Fantastic™. Anyway, being the benevolent overlord kind sort of person that I am, I invited Jonas to give us his take on what kind of daypack the toy camera / Holga / Diana / Plastic Fantastic shooter should be...

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Wait to be seated – Kodak Ektar 100 (120)

2016-07-23 – Wait to be seated Kodak Ektar 100 shot at EI 100 Color negative film in 120 format Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Bokeh blues – Fuji 500T Vivid 8547 (35mm)

Bokeh blues Fuji 500T Vivid (8547) shot at EI 500 Color motion picture negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Jennifer Henriksen and this is why I shoot film

Today we’re sitting down with the one and only Jennifer Henriksen, or as you may better know her, mastermind and overlord of Holga Week, HolgaJen. Here you go, Jen.  The floor is yours:   Hi Jen, what’s this picture, then? This is from my very first roll out of my very first Holga.  I had no idea what I was doing, but I still managed to get some nice unique shots.  I loved this one for its abstract feel.  It is a shot off of a balcony of city lights.   Ok, so who are you? (the short version, please)...

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Kwak – Kodak TMAX 100 (120)

2015-07-22 – Kwak Kodak TMAX 100 shot at EI 100 Black and white negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Field notes – LomoChrome Turquoise XR 100-400

Time for more more field notes, this time for Lomography’s LomoChrome Turquoise XR 100-400, which aside from being a bit of a mouthful, was also reviewed right here. Here’s a brand new film that will transform ordinary photos into magical scenes. Warm colors will be bathed in cool blue gradients – ranging from aqua to cobalt to emerald – and blues will be glowing in golden hues. LomoChrome Turquoise XR 100-400 is a regular color negative film which gives fantastic results. Color tones transform from one color spectrum to the next, and in turn, create wild and wonderful outcomes! Let this colorful...

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