Select Page

Month: June 2015

Fixed motion – Rollei Superpan 200 (120)

Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6×6. Push processed one stop.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

Read More

Film review: ILFORD FP4 PLUS 35mm, 120 format and sheet film

If I want to shoot a film with buckets of character and great, deep contrast at a moderate box speed, then more often than not, I’ll be packing Ilford FP4+. It’s not my everyday ISO100-200 film, primarily because it’s not always easy to come by (more on that later!) but if I’m in the mood to capture something a little special in black and white, then this is the stock for me, no questions asked. Perhaps its something to do with plucky Brit mentality, or that they seem to be able to produce stuff that’s greater than the sum of its parts…I’m...

Read More

Let there be light – Fuji Provia 100F – RDP III (120)

Let there be light Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Gone fisheye-ing – Kodak Portra 400 (120)

Gone fisheye-ing – 2015-06-28 Kodak Portra 400 at EI 400. Color negative film in 120 format shot as 6×6. 30mm fisheye.   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

Read More

SPRUNG! – Kodak Tri-X 400 (120)

SPRUNG! – 2015-06-27 Shot on Kodak Tri-X 400 at EI 400. Black and white negative film in 120 format shot as 6×6.   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

Read More

Guarded dog – Kodak EKTACHROME E100VS (120)

Guarded dog Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

Experimenting with Kodak TRI-X from EI 800 to 12800

This article picks up from our original Kodak Tri-X 400 review and will show you single-stop pushes from ISO400 all the way up to ISO12800. It’s also recently been supplemented with part one of the High EI Shootout, which takes Kodak Tri-X 400, Kodak T-MAX 400, Ilford HP5+ and Ilford Delta 400 to EI12800 and part two, which takes the same films to EI25600! All the images featured in this test were metered with the same Sekonic L-308S light meter using a reflective or incident reading, as required.   Got a few hours? There’s almost to too much to talk about here. I shoot...

Read More

Lotus – Fuji Provia 100F – RDP III (120)

Lotus Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

Read More

The photographer’s daypack – part 1: bare essentials

Spend an appreciable amount of time shooting and you’ll find yourself “needing” things to make your life easier. I’m not talking about GAS (Gear Acquisition Syndrome), but all those little accessories and gadgets you might feel will make your time shooting easier: hotshoe spirit levels, sports finders, masses of filters and those little soft-push shutter button attachments. All these items might seem like a great idea but add them all up and over time you’ll eventually end up looking like, or at least feeling a little like Data from The Goonies. There’s no suggestion that all these object are unnecessary, or that...

Read More

Purple Flare – LomoChrome Purple XR 100-400 (35mm)

Purple Flare – 2015-06-24 LomoChrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

Read More

Recent Tweets

Categories

Pin It on Pinterest

Get EMULSIVE updates to your inbox

Get EMULSIVE updates to your inbox

Join our daily and weekly newsletters to receive the latest from EMULISVE.

* indicates required
EMULSIVE News

You have successfully subscribed. Please check your email for our confirmation link.